Curating and Exhibiting Communication Design 2026

Unclassif:ed

The Misery and Madness

of the Kew Asylum

Curating and Exhibiting

Communication Design 2026

Unclassif:ed

The Misery and Madness

of the Kew Asylum

EXHIBITION AT WILLSMERE

VENUE

WILLSMERE, 1 WILTSHIRE DR, KEW VIC 3101

TIMING

28 MAY 2026, 17:30-19:30

EXHIBITION AT WILLSMERE

VENUE

WILLSMERE, 1 WILTSHIRE DR, KEW VIC 3101

TIMING

28 MAY 2026, 17:30-19:30

ACKNOWLEDGEMENT TO THE COUNTRY

Unclassified is presented on the unceded lands of the Wurundjeri Woi Wurrung and Bunurong peoples of the Kulin Nation, the Traditional Custodians of the country on which Kew Asylum was built and on which this exhibition takes place


We pay our respects to their Elders past, present, and emerging, and acknowledge that sovereignty was never ceded.


This exhibition examines the histories of t hose who were classified, confined, and rendered invisible by institutional systems of power. We recognise that the same colonial structures that built and governed

the asylum also dispossessed, pathologised, and sought to erase the cultures, languages, and ways of knowing of Aboriginal and Torres Strait Islander peoples. These histories share the same logic.


In questioning who has held the power to define what is normal, this exhibition also acknowledges the ongoing strength, knowledge, and presence of First Nations peoples, whose connections to this land continue beyond and despite those systems of classification.

ACKNOWLEDGEMENT TO THE COUNTRY

Unclassified is presented on the unceded lands of the Wurundjeri Woi Wurrung and Bunurong peoples of the Kulin Nation, the Traditional Custodians of the country on which Kew Asylum was built and on which

this exhibition takes place


We pay our respects to their Elders past, present, and emerging, and acknowledge that sovereignty

was never ceded.


This exhibition examines the histories of t hose who were classified, confined, and rendered invisible by institutional systems of power. We recognise that the same colonial structures that built and governed

the asylum also dispossessed, pathologised, and sought to erase the cultures, languages, and ways of knowing of Aboriginal and Torres Strait Islander peoples. These histories share the same logic.


In questioning who has held the power to define what is normal, this exhibition also acknowledges the ongoing strength, knowledge, and presence of First Nations peoples, whose connections to this land continue beyond and despite those systems of classification.

EXHIBITION AT RMIT

VENUE

BUILDING 9, 09.01.03, RMIT CITY CAMPUS

TIMING

14 MAY 2026, 16:00-18:00

EXHIBITION AT RMIT

VENUE

BUILDING 9, 09.01.03, RMIT CITY CAMPUS

TIMING

14 MAY 2026, 16:00-18:00





:

0
0

14.05.2026

RMIT BUILDING 9 09.01.03

0
0

28.05.2026

WILLSMERE 1 WILTSHERE DR, KEW

Unclassif:ed

The Misery and Madness

of the Kew Asylum

FIG.01. Filed Away. Presented by Mateo & Nia.

FIG.02. The Dancing Mahargni. Presented by Ananya & Khushi.

FIG.03. Performing Sanity. Presented by Nikita & Vivian.

FIG.04. The Story of Edward / Ellen de Lucy Evans.

Presented by Shyam & Kavin.

FIG.05. Inside-Out. Presented by Kora & JC.

FIG.06. Under the Frame. Presented by August, Liyang & Yihan.

WHO DRAWS THE LINE BETWEEN

REASON AND MADNESS?

MASTER OF COMMUNICATION DESIGN
RMIT UNIVERSITY

WHO DRAWS THE LINE BETWEEN

REASON AND MADNESS?

MASTER OF COMMUNICATION DESIGN
RMIT UNIVERSITY

Unclassif:ed

The Misery and Madness

of the Kew Asylum

FIG.01. Filed Away. Presented by Mateo & Nia.

FIG.02. The Dancing Mahargni. Presented by Ananya & Khushi.

FIG.03. Performing Sanity. Presented by Nikita & Vivian.

FIG.04. The Story of Edward / Ellen de Lucy Evans.

Presented by Shyam & Kavin.

FIG.05. Inside-Out. Presented by Kora & JC.

FIG.06. Under the Frame. Presented by August, Liyang & Yihan.