Curating and Exhibiting Communication Design 2026
Unclassif:ed
The Misery and Madness
of the Kew Asylum
Curating and Exhibiting
Communication Design 2026
Unclassif:ed
The Misery and Madness
of the Kew Asylum
EXHIBITION AT WILLSMERE
VENUE
WILLSMERE, 1 WILTSHIRE DR, KEW VIC 3101
TIMING
28 MAY 2026, 17:30-19:30
EXHIBITION AT WILLSMERE
VENUE
WILLSMERE, 1 WILTSHIRE DR, KEW VIC 3101
TIMING
28 MAY 2026, 17:30-19:30
ACKNOWLEDGEMENT TO THE COUNTRY
Unclassified is presented on the unceded lands of the Wurundjeri Woi Wurrung and Bunurong peoples of the Kulin Nation, the Traditional Custodians of the country on which Kew Asylum was built and on which this exhibition takes place
We pay our respects to their Elders past, present, and emerging, and acknowledge that sovereignty was never ceded.
This exhibition examines the histories of t hose who were classified, confined, and rendered invisible by institutional systems of power. We recognise that the same colonial structures that built and governed
the asylum also dispossessed, pathologised, and sought to erase the cultures, languages, and ways of knowing of Aboriginal and Torres Strait Islander peoples. These histories share the same logic.
In questioning who has held the power to define what is normal, this exhibition also acknowledges the ongoing strength, knowledge, and presence of First Nations peoples, whose connections to this land continue beyond and despite those systems of classification.
ACKNOWLEDGEMENT TO THE COUNTRY
Unclassified is presented on the unceded lands of the Wurundjeri Woi Wurrung and Bunurong peoples of the Kulin Nation, the Traditional Custodians of the country on which Kew Asylum was built and on which
this exhibition takes place
We pay our respects to their Elders past, present, and emerging, and acknowledge that sovereignty
was never ceded.
This exhibition examines the histories of t hose who were classified, confined, and rendered invisible by institutional systems of power. We recognise that the same colonial structures that built and governed
the asylum also dispossessed, pathologised, and sought to erase the cultures, languages, and ways of knowing of Aboriginal and Torres Strait Islander peoples. These histories share the same logic.
In questioning who has held the power to define what is normal, this exhibition also acknowledges the ongoing strength, knowledge, and presence of First Nations peoples, whose connections to this land continue beyond and despite those systems of classification.
EXHIBITION AT RMIT
VENUE
BUILDING 9, 09.01.03, RMIT CITY CAMPUS
TIMING
14 MAY 2026, 16:00-18:00
EXHIBITION AT RMIT
VENUE
BUILDING 9, 09.01.03, RMIT CITY CAMPUS
TIMING
14 MAY 2026, 16:00-18:00
:

14.05.2026
RMIT BUILDING 9 09.01.03
28.05.2026
WILLSMERE 1 WILTSHERE DR, KEW
Unclassif:ed
The Misery and Madness
of the Kew Asylum
FIG.01. Filed Away. Presented by Mateo & Nia.
FIG.02. The Dancing Mahargni. Presented by Ananya & Khushi.
FIG.03. Performing Sanity. Presented by Nikita & Vivian.
FIG.04. The Story of Edward / Ellen de Lucy Evans.
Presented by Shyam & Kavin.
FIG.05. Inside-Out. Presented by Kora & JC.
FIG.06. Under the Frame. Presented by August, Liyang & Yihan.
WHO DRAWS THE LINE BETWEEN
REASON AND MADNESS?
MASTER OF COMMUNICATION DESIGN
RMIT UNIVERSITY
WHO DRAWS THE LINE BETWEEN
REASON AND MADNESS?
MASTER OF COMMUNICATION DESIGN
RMIT UNIVERSITY
Unclassif:ed
The Misery and Madness
of the Kew Asylum
FIG.01. Filed Away. Presented by Mateo & Nia.
FIG.02. The Dancing Mahargni. Presented by Ananya & Khushi.
FIG.03. Performing Sanity. Presented by Nikita & Vivian.
FIG.04. The Story of Edward / Ellen de Lucy Evans.
Presented by Shyam & Kavin.
FIG.05. Inside-Out. Presented by Kora & JC.
FIG.06. Under the Frame. Presented by August, Liyang & Yihan.
